Not that bad of a day, though, despite the titling.
Got up at about 8:00 and about half way to 9' the fire alarm went off whilst I was in the kitchen making some tea and toast. For a split second, due to how anal fire safety is, I thought this was my fault. But alas one of the two random drills has finally occurred, coincidentally as I was relieved not to be out doors in the frosty air.
Headed outside, and the housemates shortly followed. Most of us hung out around the front doors, but I kept suggesting the idea to move to the car park as I remember reading as part of the drill. It's until the flock of other village students begin following a group to the car park did we do so. We conversed for a bit about how much this sucked, and James hung with us during the event. I was shivering, obviously. Quite a few were in their pyjamas - I think me and Rory were the only two fully dressed. The drill finished, and we all heady back. Jamie (and just behind me) raced back to warmth.
An hour before lesson I sent an email requesting to book the recording room for today. Andy Joule was the one to reply, and appreciated my generosity towards China James (I should of done it yesterday, though). He told me to find Julie Flude, in the booking office. I headed off at about 10 minutes before 10 (Or 10 'o clock, I might of been that stupidly inconsistent) and for some reason, I had the idea he meant the Faculty Office. They directed me to the real booking office, and there I almost stepped in front of the girl waiting. I apologised whole-heartedly, but she was light hearted about it, stating that the line tends to go back and wrap into the corridor. Whilst waiting, Andy passed by and called out my name, following that I need to be in lesson. With a grimaced expression, I raised my arm to the booking office in regards to James. Andy Joule quickly decided he'd book the room for me. I headed on after telling me yet again to get to class.
About 13 or so minutes late -
ouch. But it's not a huge dilemma since Ron was basically just talking us through the art that is lip-syncing. I missed the opportunity for a hand-out sheet, so I'll have to get one later on. I've heard from other students just how much of an annoyance it is to get the frames of animation to time correctly with the audio.
Actually, Ron mentioned a useful sounding tip - although if I recall he added it was how Disney
use to do it: animate the body gestures first, then proceed with smaller accentuations finishing with the mouth on lip-syncing itself. Up to this point today, I've been wondering if that's how animation in general tends to be built. Start with the main, big pieces of 'gears' and then add in the smaller bits of gears to the frames as it progressed. I've already applied this method to my walk cycle, the arms, and it's not bad even if the initial amount of frames on the largest asset decides a lot on the further ones.
Ron went onto to discuss vowels, an important part in terms of bridging the gap of visuals to voice acting. As a part of this, he brought up teeth.
Here is an interesting tidbit: the top or bottom (or both) row of teeth show depending on the sort of consonant or vowels used - certainly an important element to visual speaking - but many animations tend to find ways of somewhat 'lamp shading' this element due to design style that shows and films aim for. In many cases, showing the bottom row of teeth just doesn't sit well in almost any circumstances (We rarely, if ever, see the average character flash their bottom set) because it detracts a casual essence away from a character. So, what's often done? Show the teeth only when necessary - when it resonates with both the audio cues
and the design. The Simpsons, as Ron pointed out, is a prime example of this instance.
We were shown an excerpt of Behind the Scenes on Toy Story, which was focusing on how animation towards gestures was done. Even back then, computer animation seemed stream-lined as sliders were used to 'tween' various limbs and muscles. The face on Woody apparently had 200 'muscles', much less than animations today which likely have over a million individual bits. That Aardman show on animals, uh, I forgot, was also shown in regards to teeth (in particular, having buck-teeth mysteriously vanish on certain frames and no one questions it). The best example of lip-syncing was undoubtedly The Jungle Book, though. This scene shown was of Sheer Khan the tiger and Kaa the python. Sheer was trying to find the boy Mowgli whom Kaa was wrapping around to hide. The tiger had a very pompous, upper-class British accent and the best element to his character was how his bottom set of teeth, despite a predator, didn't show whatsoever. Hiding his 'fangs' was a really brilliant way of demonstrating his modest and arrogant attitude. Besides this, Milt Kahl, one of the key animators for this film, really demonstrates his amazing expertise. It's no wonder Richard Williams sought so avidly for advice from him.
During a break, I gave Su back the DVD films she leant me. Tekkonkinkreet, a somewhat anime film by Studio 4o, was very creative and great if not predictablly creepy and morbid at times. The background work in it was stunning - and no surprise, it had collaborative contributions going on with a slap ton of other animation studios in Japan from Production I.G. to Gainax to Tatsunoko to even Studio Ghibli. (The mix of superb detail and surrealism struck me as Ghibli-like, funnily enough)
Throughout the rest of the lesson, we got on with the designs needing to be done - either for Character Motivation (chair to door, which I am yet to begin animating) or the lip-sync. Ron got together the group of people who missed recording last Tuesday - quite a few, in fact. Andy had incidentally dropped by to give a message in mute, via note, that he booked G23 from 12pm to 4pm, and that I needed to rent a microphone along with it. James initially didn't want to be within the circle of people who've yet to be recording, maybe from nerves or because he was comfortable that me and him would be needing to do it anyway. Um, well...I already did mine, and this fact came as quite a penny-dropper to him. It put him off somewhat, I think, but I tried cheering him up that I'd help him regardless. He joined the group eventually anyway, thankfully.
Nattered non-stop with the guy next to me, I've sat not far from him once during the first practice on the walk cycle. He has some rad dreadlocks going on. T'was lunch time, and...I was hungry! Waitrose I go, to get some crisps and biscuits. There was something I felt I needed, and forgot to buy every time, but couldn't put my finger on it. (It was a scrub for washing) When queuing up, Erika and her friend happened to be in front as well. Her friend from the Philippines (need to catch her name) has been enjoying the Taekwon-do club a fair amount, and suggested I try it out. Before during the break (she sat with Su and helped her out with understanding some things on the lesson) I asked her to try Street Dance. Fairly puzzled as to why I just bring it up, um "You look like the sort to do it." As it so happens, she
did try Street Dancing a few weeks back and mentioned Dan's amazing skill. Taekwon-do is her main interest, though.
Headed back to relax and try and download a video in time. With this crappy wi-fi, and a download rate of 34kb/s it clearly wouldn't make it within 40 minutes.
Back to class at 1pm, I shortly took the group down to the Sound Recording studio. Unfortunately, uh, it wasn't open. I headed back to the booking office, having to que up and then got the keys for the room, along with the Condenser Microphone and stand. Back there, I got on with setting up the sound, whilst everyone rehearsed their scripts. Getting as far as plugging in the mic, and the stand, I kind of panicked and ran back to nab someone from last week to give me a hand.
As it so happens, Lucinda (who recorded my script with me) offered to do so and complained about her still-lingering cold. She got things set up with the microphone and stand, and set up the digital sound boxes, all was going smooth until a
major road block. The sound from the microphone was not running through into the two main speakers (or Monitors, as they're called) which caused issues since despite Pro Edition wasn't able to do any sort of output playback despite receiving input fine. She and I tried various things to get it going, and I was forced yet again to get assistance.
I raced to B124 and asked Ron if James Nutt was around and typically not - he was appointed for only the previous week. He suggested to contact Andy Joule. I tried his number but my call wouldn't even go through for a second (guess my mobile can't process it or something) so I had to find his office. Initially I glanced at one office for a second but it was for BA Photography. Kind teacher asked if I was alright, and suggested the corridors ahead in regards to my scenario.
Eventually, I found the office or Animation -
but the large, laminated sign (thank god I pay more attention to notice them these days) claimed it a large no-no on straight up knocking, and had to use the phone at the other end. It gave no number so I just tried picking it up to see if it puts me through automatically but there was no result. Was it a button or something? I checked the sign again but Jon Weinbren happened to pop out. I asked him if Andy Joule was about - yes he was! In the office, in fact. He went back in and I waited outside. Jon called me to come on inside, with a hint of surprise in his voice over how I was waiting.
The first thing I saw in the office, bang in the middle, was a
massive fucking Skaletrix track. Is knocking the door so bad because what, it'd
jinx someone's heated competition with their cohort? Anyway, Andy was ahead in his own corner. Asked him for some assistance on the sound recording. As it so happens, James Nutt did leave instructions from start-to-finish on setting up the recordings but these had to be deleted off of the MyCourse due to file size. Regardless, Andy printed out some copies. He was having issues with the printer which was a typical situation as I was pressing to help the students get their lines recorded. Eventually I was handed the instructions, and thanked Andy sincerely. As I passed out, I told Jon Weinbren I look forward (I do!) to his lecture on Thuresday. He reminded me it's in the Maltings.
Charged back to G23 and me and Lucinda aptly followed Jame's instructions which had cleared up various things but it...still didn't get the situation wit the speakers anyway. Lucinda tried various other ideas, with Oscar assisting on advice too, but it was to no avail. It eventually became a dead-end problem, and it was a whole hour and a half into the lesson.
Everyone was clearly becoming fed up. Needing to get things moving fast, I headed to the Booking Office to call for a technician. I was pretty tense at this stage, and my karma responded
wonderfully - the line for the office was 4 or so people, and two people ahead head three things to give back in and expected, of the three, two were huge steel boxes
with a shit ton of stuff inside. This was becoming a joke, but it wasn't a big enough emergency (I felt) to warrant shoving in line for assistance. I'd just be bollocked at by the staff, unless perhaps I was an actual staff member at the University. Eventually it came to my turn and a technician was called up. On the way to the room, I tried explaining to him the problem at hand. Was it just something we weren't doing right, or an actual issue with equipment?
He popped in, and had a look at the stuff. At this stage, the group had a solution by plugging in the headphones to the digi-box within the recording room for output. After some examining, he noticed it was the red lines (L/R) for the speakers, but at first explained he couldn't check the stack of digital audio machines because the panel for them was locked. Luckily enough, it was broken anyway as Oscar discovered. He brought it off, and saw the problem. The red cable(s) somehow were unplugged from inside. After some initial struggling trying to dig and wrap his fingers around inside to plug it back in, he succeeded. EUREKA! Audio was coming out the speakers, and playback was finally the way it was normally.
The groups got on with recording their lines, finally, and Lucinda headed back. When Erika and her friend went ahead as the first group, I totted in and antsy-pantsily nattered some guidelines on using the microphone. China James requested that I record his lines with him - sure thing. It came to our turn, and I tried to put on a cockney accent as good as I could. (Shitty father and feeble son scene) James did quite a startlingly convincing act on the weak, upset boy. Despite a slight tongue slip or two, he even made it all the way with a large chunk on the script. We heard our playback...man, I'm
no good on cockney, at least at the moment. One of the guys mentioned I sounded like Chuck from the IT Crowd, although I hadn't ever watched the series. (Is it good?)
Su and her partner went in for their recordings. Unfortunately they had gotten the same script as mine - with one character having hardly any lines whilst the other bickered away non-stop. It's a fairly girl orientated one. Despite this, man, Su sounded so sweet she delivered her lines :( She chuckled at some parts, but Oscar (nobly manning the computer for most people) left the recordings as-is. When Bouncing (exporting, somewhat), Su covered her ears over her parts. D'awww. It was fine, anyway.
Oscar and his partner went in as the last pair, and recorded their scripts. I botched up recording, as I wasn't entirely sure how to use Pro Tools LE (had to rush through it last time, James Nutt was tight on time) but Andy Joule popped around to see how we were doing. Was glad to tell him we were nearly done! He mentioned that they brought in a full-on sound technician and he'd be starting in a few weeks. I'm not entirely certain but I think he also said the sound recording might be moving up stairs to a better room. I may be wrong though but that'd be nice. This one is kind of crappy imo. :( He also gave advice on reducing sound echo by killing said echo using boxes or other props. Oscar avidly mentioned doing foliage sound recording - sound effects in simple terms - and Andy had said that in the 2nd year, it'll be explored and taught thoroughly. Oscar continued to mention something of putting a cracker on top of a melon then smashing it for a convincing giblet-gore infesting sound.
Recorded their sound, and everything was all done. Now all was left to do was to put the files on a USB dongle. Simple, right? Nope, more problems arose yet again. When it came to my USB dongle, I yanked it out forgetting to eject it properly first. I thought it was fine to shut down the Mac, but the idea was the files are Bounced
first then copied onto external storage media. Mac got all anal and refused to shut down because of Pro Tools, thankfully. Even then, continued uses of the USB devices weren't working, including mine - which at first I believed mine became corrupted or something. Oscar could of used his hard drive but the keyboard USB couldn't supply enough power for it, and the USB slots in the back were all taken. Eventually mine worked, and were put on there. FINALLY, it was done. All of it.
Packed up the equipment, with Su helping me out. She went ahead to take the stuff back to the Booking Office, but I caught up with her to help her out (besides that, I think it had to be returned in my name) since the Mic stand was heavy stuff. We talked about various things, like "What is your favourite beer?" and asked her if she was tired; for some reason she it cute that I used one particular Japanese word - "Kutakuta". She doesn't like Osake, Japanese rice wine, and I told her how much I LOOOVE Kirin beer.
Lemon Kirin, ooooooh. O:
We went our separate ways, and I headed back upstairs to B124 to grab my bag and stuff. Yes! I had believed the recordings wouldn't take
all day. I assumed for some reason that James Nutt would be there again, or have some sort of staff support.
Headed back and conked out in a kip for about an hour and a half at 5:30. Got up at 7:00 and forced my way up to the kitchen to put on some dinner. Fishcakes and potatoes. I should vary my ready meals a little more. Before getting them out, I sat on the chairs near the table in a sort of daze, staring blankly ahead until I woke up a little more.
Whilst washing my stuff up afterwards, James, Jamie, Sophie and others went downstairs in the communal hall to watch a film. I kept shifting to and through past Jamie to get into my room. Whilst writing up this blog entry, I popped out to check up on what was happenin' with my peeps. Whilst Sophie was lavishly dressing herself in pink, Jamie snuck onto her laptop and changed her default homepag to a porn site. It was a while, a whole 30 minutes I think, for her to notice. Jamie had already disappeared to his room at this point, but Sophie noticed and quickly blamed Rob. She was clearly annoyed, and it was damn amusing to see her reaction. She quickly went onto tattle Yannis, who innocently defended himself by stating he'd rather set her homepage to bikes or his favourite band, Foals.
During this tantrum, James hinted (or rather, outrightly) it was Jamie but Sophie didn't hear him at the time. She firmly stated that no one is to touch her laptop ever, aside from Georgia and maybe someone else.
Hope everyone's files was stored okay on the USBs. Even it wasn't able to in the end, I think thankfully the Mac doesn't delete the local files like most Education networks tend to (unless they are saved in specific locations). I should e-mail the files to the students, or similar, tomorrow or soon.